The darkest time and in the shadows things fall away.
I had a coaching session about fifteen months ago with Lauren Barber when I expressed a wish to stop working in education. After the session I was full of determination, I began unpicking strands of that work, but I found it hard to put it all down. It was so safe and known and people get it. The work kept coming in dribs and drabs. I kept saying yes. I kept telling people I wanted to leave education. But I kept doing it…Then a big contract ended suddenly, and at around the same time we moved and I lost my work space.
I can be pretty slow on the uptake at times. It seems to me obvious today that this was an ideal time to make a change. I could have said thanks to the universe and got busy with my “joy job” of healing, guiding and supporting others.
Instead I panicked and started trying to breathe new life into that old work stream. I grabbed at straws. I stumbled on with a foot in two camps, lurching from one kind of work to another, over-stretched, confused, anxious. I kept looking back and being angry with the way things had worked out, annoyed with business colleagues and the fact that I felt badly treated. It’s not fair (stamps feet, sits on floor, pouts). I was working hard to create my heart work stream but it was slow, stop-start progress, as I lacked the focus and energy, the force of intention and I split my attention across five different jobs.
Today I was once again looking back, feeling frustrated and betrayed, how hard I’ve worked, I told myself, and what for? It came suddenly, out of the sub-conscious, a good old slap from the universe. Hey sugar plum, say my guides, what are you moaning about? They did you a favour! This is what you wanted, what you’ve been dreaming about and manifesting the past eight years, a little thank you would be nice, instead of your personal pity-party. Say thanks to those people who “let you down” say thanks for the fact that they peeled away the things you no longer needed…(universe folds arms, taps feet, looks kind of pissed).
Oops.
Ok, erm, noted.
I’m sure I’ve done this before. I wish for something and then when it shows up I keep looking beyond it, like I can’t see it somehow, or can’t believe it.
This month I’m doing work in two of my classes on transformations (in The Circle ) and transitions (with Angel Tribe). It’s time to do differently. Stop looking back and just put all that shiz down and move the flip on. It’s a gosh darn dream come true to have a chance to do the new work I’ve been given. The old served a purpose, had its place, but it’s time to say goodbye, create a little magic to let it go and move on.

He is about nine years old. They have crossed the railway lines, steam engines belching smoke and fire. Sooty dragons passing. The castle is under siege and they must protect it. They scale the volcanic mass, ancient lava spell-fixed, frozen beneath them, its jagged forms gifting hand and toe holds. The upward journey is easy. It is the descent which traps them. Ignomy as the fire brigade are called to get them down and later, his mother’s strap across the back of his legs to teach a lesson. It stings.

I look up. It is a wide, prairie landscape. In the distance is a rambling, ranch-style house and behind it, on the horizon, incongruous against the clear blue sky, the black spinning column of a twister.
I dream of journeys.


In the dark soil I wait. It is silent here.
Perhaps it was the heavy, yellow blooms in her godmother’s garden, or the vast borders in the local park but for as long as she could remember Agnes Earnshaw wanted a rose garden. She drew roses around her exercise books, on her ruler, she even engraved them on the science benches while Mr Finch talked about Brownian motion.
I read
I could see the brickwork at the edge of Susan’s house, overlapping enticingly like a climbing wall, and remember the sensation of trying to scale it. I could see the road, winding black snake, looping round the corner by the shops and down to Jonathan’s house, the pampas grass waving sentinel on the front lawns.
Place is both itself and something else, the old is cleared a new layer takes it’s place. The map is re-drawn. But surely the land remembers. I wonder whether it still feels the kiss of childhood steps, the wonder and secret magic of life before adolescence, like the brush of a butterfly’s wings or the step of a spider along your arm. I wonder if I am like this too. Layered. The child still seeking beauty and play while the woman covers her over with duties and diary commitments. I wonder what it will be like when I re-draw the map. When I erase the work of the past thirty years and begin again, using the stars for a compass and the earth as my blue-print. Something sits now, beneath the skin, barely breathing, ready to crack open, on the edge of a new journey.

